The History Capstone Seminar (HIST 492) is required for both the AUCC and the History major. In order for the capstone seminar to count toward completion of requirements for the History major, students must earn a minimum grade of C in the class. Sections of HIST 492 are offered in both fall and spring semesters during the academic year.
Fall 2017 Capstone Descriptions:
Between Memories and Identities: International History of National Monuments by Dr. Thomas Cauvin
This course explores the history of national monuments in an international and transnational context from the First World War until the recent controversies over Civil War monuments in the United States. Monuments are crucial sources for historians to study the construction of public memories and political identities. In addition to the different approaches to studying monuments (Nora, Young), the course will offer a comparative study of the uses of monuments (celebration, mourning, and identity-building) and their evolution in the public space.
How to be an Emperor or Empress (Asia) by Dr. John Didier
Being an accomplished emperor or empress is a tricky business. Writing and speaking well are also tricky. While the cost of being a poor emperor/empress --- usually involving loss of throne, empire, life, or all three -- probably exceeds the cost of being an unattained writer or unpolished speaker, being a poor empress/emperor of one’s own life and an unaccomplished writer or speaker either singly or in tandem can leverage very unhealthy forces to act unpropitiously on one’s life. Thus, what are the true purposes of our exercises in this course? We wish to learn to become good emperors / empresses of our own lives and environs. To do this we must understand and utilize both power and its utility. The latter, in this world, surely involves the complex use of the word, both written and spoken. Thus do we read about empresses and emperors, and, here, about particularly Asian empresses / emperors, and thus do we then write and talk about them. Written assignments include four five- to six-page reading response papers; keeping two weekly reading journals to be turned in alternatively each week for review; and a term paper of approximately 15-20 pages, properly footnoted and including a formal bibliography, to be presented to the class orally and submitted in written form during the final weeks of the semester.
American Sexualities: Identity, Regulation, and Liberation in the Twentieth-Century by Dr. Carrie Pitzulo
Sex and sexuality are often perceived to be natural and unchanging facets of human life and society. But like society itself, sex has a history. This course will examine the changing ways that Americans have defined, regulated, practiced, and theorized about sexuality in the twentieth-century. We will also consider the historiographic trends that inform our knowledge of the past. Throughout, we will explore the societal expectations of acceptable and deviant sexualities, challenges to the status quo, technological, medical, and scientific impacts on American sexual culture and practice, as well as the influence of popular culture and politics.
Here is more detailed information about the courses: Capstone Descriptions
Seminar - Approaches to History Courses
The Approaches to History (HIST 201) is designed for students who are interested in learning more about history, its methods, and its value in a liberal arts education. It is a new course that satisfies the AUCC 3D requirements of Historical Perspectives.
Fall 2017 Approaches to History Descriptions:
"Mad Men Modern: Exploring Postwar America through Modern Design," by Dr. Adam Thomas
The tide of the civil rights movement began to turn at counters of sparkling stainless steel and glittering pastel Formica. In rambling ranch houses with the latest appliances housewives silently suffered the “problem that has no name.” Tiki torches and Hawaiian shirts hinted at expanding American imperialism, while the space-age architecture of the Watergate Hotel ultimately came to stand for the failure of the American political system. The struggles of the United States during the twentieth century took place in extraordinary settings—gleaming spaces of austere modernity that had no precedent in human history. Yet the rise and fall of modern design says much about the successes and failures of the United States during “America’s century.” Students will explore the history of the United States in the latter two-thirds of the twentieth century through material culture (fashion, furniture, architecture, etc.) and popular culture, with primary evidence pulled from a variety of media, including film, television, and popular music. The course will train students in the historical methodology of the recent past. For the final project, students will combine secondary and primary evidence with an original reading of material culture and oral history.
"National Border, National Park: A History of Organ Pipe Cactus National Monument ," by Dr. Jared Orsi
In this course we will build ArcGIS story maps about Organ Pipe Cactus National Monument. Organ Pipe, in southern Arizona on the Mexican border, is home to many rare plant and animal species and some of the nation’s most spectacular deserts. When you are there, it is easy to see why writer Wallace Stegner called the national parks “America’s best idea.” But journalist Tom Clynes recently called Organ Pipe “America’s most dangerous park” because of the 300,000 annual visitors who enter as drug smugglers or undocumented immigrants, turning rangers into law enforcement officers. This course will explore the history of this complicated and fascinating place through the methodologies of borderlands and environmental history. Along the way, students will learn the foundations of historical methodology—primary-source research, historiography, narrative writing, peer-review, citation, and digital skills—but the end product will not be an individual term paper. Instead, students will work together to research and write content for ArcGIS story maps that take visitors on a virtual tour of the park’s history, looking at it from both sides of the border. Students need NO technical web or GIS skills to take this course, just a curiosity about stunning scenery and desperate people.
Here is more detailed information about the courses: HIST201-topics